publications
  Jonas Braasch - Architectural Acousticss Rensselaer








Books, Monographs & Recordings Chr. Ahrens, J. Braasch (1999) Zur Geschichte der Konzertsaalorgel in Deutschland [On the History of the Concert-Hall Organ in Germany], Bochinsky, D-Frankfurt am Main (157 pages; The book has been reviewed in: Ars Organi, 47/4, 1999, p. 242f. and Die Musikforschung, 53/1, 2000, p. 117f.).

J. Braasch (2002) Auditory Localization and Detection in Multiple-Sound-Source Scenarios, VDI Verlag, Düsseldorf (ISBN 3-18-370710-1, 172 pages, published version of the Dissertation in Engineering).

J. Braasch (2004). Orgelregister mit Durchschlagzungen. Geschichte, Konstruktion und akustische Eigenschaften [Organ stops with free reeds. History, construction and acoustical properties], Logos Verlag, Berlin, (ISBN 3-8325-0758-2, 447 pages, published version of the Dissertation in Musicology).

Triple Point (2014) Phase/Transition, Jonas Braasch, soprano saxophone; Pauline Oliveros, V-accordion; Doug Van Nort, granular-feedback expanded instrument system (GREIS) electronics, audio compact disk 3 CDs, Pogus Records 21078-2.

Deep Listening Band (2014) Dunrobin Sonic Gems, Pauline Oliveros (V-Accordion, Conch Shell), Stuart Dempster (Trombone, Didjeridu), Jonas Braasch (Saxophone), IONE (Opening Invocation), Jesse Stewart (Percussion), Johannes Welsch (Gongs), recorded live on October 5, 2013 at the Dunrobin Sonic Gym, Deep Listening Records.



Journal Articles M.T. Pastore, C. Trahiotis, and J. Braasch (2016) The import of within-listener variability to understanding the precedence effect, J. Acoust. Soc. Am. 139 (3), 1235–1240.

M.T. Pastore, J. Braasch (2015) The precedence effect with increased lag level, J. Acoust. Soc. Am. 138, 2079–2089.

J. Braasch (2013) A precedence effect model to simulate localization dominance using an adaptive, stimulus parameter-based inhibition process, J. Acoust. Soc. Am. 134(1), July 2013, 420-435.

D. Van Nort, P. Oliveros, J. Braasch (2013) Electro/Acoustic Improvisation and Deeply Listening Machines, Journal of New Music Research 42(4), 303–324.

N. Peters, J. Braasch, S. McAdams (2013). Recording techniques and their effect on sound quality at off-center listening positions in 5.0 surround environments. Journal of the Canadian Acoustical Association (JCAA), 41(3), 37–49.

P.W. Robinson, A. Walther, C. Faller, J. Braasch (2013) Echo thresholds for reflections from acoustically diffusive architectural surfaces, J. Acoust. Soc. Am. 134(4), 2755–2764.

N. Peters, J. Braasch J., S. McAdams (2011) Sound Spatialization Across Disciplines Using Virtual Microphone Control (ViMiC), Journal of Interdisciplinary Music Studies (JIMS), Vol. 5(2), 167–190. doi:10.4407/jims.2011.11.003

J. Braasch (2011) A cybernetic model approach for free jazz improvisations, Kybernetes 40/7-8, 984-994.

R.H.Y. So, N.M. Leung, A.B. Horner, J. Braasch, K.L. Leung (2011) Eects of Spectral Manipulation on Nonindividualized Head-Related Transfer Functions (HRTFs), Human Factors 53/3, 271-283.

C. Abercrombie, J. Braasch (2010) A Method for Multimodal Auralization of Audio-Tactile Stimuli from Acoustic and Structural Measurements, J. Audio Eng. Soc. 58/10, 818-827.

J. Braasch, J. Goebel, T. Vos (2010) A Cinematic Spatial Sound Display for Panorama Video Applications, Organised Sound 15/3, 260-270.

R.H.Y. So, B. Ngan, A. Horner, J. Braasch, J. Blauert, K.L. Leung (2010) Toward orthogonal non-individualised head-related transfer functions for forward and backward directional sound: cluster analysis and an experimental study, Ergonomics 53/6, 767-781.

D. Valente, J. Braasch (2010) Subjective scaling of spatial room acoustic parameters inuenced by visual environmental cues, J. Acoust. Soc. Am. 128, 1952-1964.

J. Braasch (2009) The Telematic Music System: Aordances for a New Instrument to Shape the Music of Tomorrow, Contemporary Music Review 28/4-5, 421-432.

J. Braasch (2009) The Telematic Apparatus - Seen from an Instrument Builder Perspective, In: P. Oliveros, S. Weaver, M. Dresser, J. Pitcher, J. Braasch and C. Chafe (2009) Telematic Music: Six Perspectives, Online Supplement to Leonardo Music Journal 19 (2009), with Accompanying Sound Files, http://mitpressjournals.org/toc/lmj/-/19, pp. 22-27, abstracts printed in Journal, pp. 95-96.

D.L. Valente, J. Braasch (2008) Subjective Expectation Adjustments of Early-to-Late Reverberant Energy Ratio and Reverberation Time to Match Visual Environmental Cues of a Musical Performance, Acta Acustica united with Acustica 94/6, 840-855.

J. Braasch, N. Peters, D. Valente (2008) A loudspeaker-based projection technique for spatial music application using Virtual Microphone Control, Computer Music Journal 32/3, 55-71.

J. Braasch (2008) Acoustical measurements of expression devices in pipe organs, J. Acoust. Soc. Am. 123, 1683-1693.

R.H.Y. So, N.M. Leung, J. Braasch, K.L. Leung (2006) A low cost, non-individualized surround sound system based upon head related transfer functions: An ergonomics study and prototype development, Applied Ergonomics 37/6, 695-707.

C. Ahrens, S. Schmidt, J. Braasch (2006) Wiedergewonnene spätbarocke Strahlkraft - Hofkirche Dresden: Wiederherstellung des historischen Stimmtons nach Silbermann gewährleistet optimale klangphysikalische Präsenz und Durchhörbarkeit des Orgelklang [Regained late-barockan brilliance - Court Cathedral Dresden: Reconstruction of Silbermann's historical tuning pitch ensures optimal acoustical presence and transparency of the original pipe-organ sound], Organ - Journal für die Orgel [Organ - Journal for the pipe organ], 2006/04 (Schott).

C. Ahrens, J. Braasch (2003) Christian Gottlieb Kratzenstein - De uitvinder van de orgelregisters met doorslaande tongen [Christian Gottlieb Kratzenstein - the inventor of organ stops with free reeds], Het Orgel, 99/4, 32-36.

J. Braasch, J. Blauert (2003) The precedence eect for noise bursts of dierent bandwidths. II. Comparison of model algorithms, Acoust. Sci. & Tech. (Journal of the Acoustical Society of Japan) 24/5, 293-303.

J. Braasch, J. Blauert, T. Djelani (2003) The precedence eect for noise bursts of dierent bandwidths. I. Psychoacoustical data, Acoust. Sci. & Tech. (Journal of the Acoustical Society of Japan) 24/5, 233-241.

J. Braasch (2003) Localization in the presence of a distracter and reverberation in the frontal horizontal plane. III. The role of interaural level dierences, Acta Acustica United with Acustica 89/4, 674-692.

C. Ahrens, J. Braasch (2002) Die japanischen Register der Klais-Orgel in der Kyoto Concert Hall, Japan [The Japanese stops of the Klais organ in the Kyoto Concert Hall], Acta Organologica 27, 147-178.

J. Braasch (2002) Localization in the presence of a distracter and reverberation in the frontal horizontal plane. II. Model algorithms, Acta Acustica United with Acustica 88/6, 956-969.

J. Braasch, K. Hartung (2002) Localization in the presence of a distracter and reverberation in the frontal horizontal plane. I. Psychoacoustical data, Acta Acustica United with Acustica 88/6, 942-955.

J. Braasch, Chr. Ahrens (2000) Attack Transients of Free Reed Pipes in Comparison to Striking Reed Pipes and Diapason Pipes, Acta Acustica United with Acustica 86/4, 662-670.

Conference Presentations
S. Clapp, J. Braasch, N. Xiang, A. Guthrie (2014) Localization Accuracy in Presenting Measured Sound Fields via Higher Order Ambisonics, Proceedings of the 20th International Conference on Auditory Display (ICAD–2014), June 22–25, 2014, New York, USA.

A. Cunningham, W. Keddy-Hector, U. Sinha, D. Whalen, D. Kruse, J. Braasch, J. Wen (2014) Jamster: A Mobile Dual-Arm Assistive Robot with Jamboxx Control, in: Proceedings of the International Conference on Automation Science and Engineering (CASE), IEEE Computer Society, Fullon Hotel Danshui Fishermen’s Wharf, Taipei, Taiwan.

J. Parkman Carter, J. Braasch (2014) Cross-modal Soundscape Mapping: Integrating Ambisonic Environmental Audio Recordings and High Dynamic Range Spherical Panoramic Photography, Proceedings of the 20th International Conference on Auditory Display (ICAD–2014), June 22–25, 2014, New York, USA.

S. Ellis, N. Sundar Govindarajulu, J. Valerio, S. Bringsjord, J. Braasch (2013) Creativity in Artificial Intelligence as a Hybrid of Logic and Spontaneity, in: Computational Creativity, Concept Invention, and General Intelligence (C3GI)Workshop at the 23rd International Joint Conference on Artificial Intelligence (IJCAI), 3–9 August, 2013, Beijing, China.

J. Braasch, A. Parks, N. Xiang (2011) A binaural model to simulate the precedence effect with adaptive stages to compensate for head movements (A), J. Acoust. Soc. Am. 129, 2486.

A.E. Guthrie, T.J. Caulkins, S. Clapp, J. Braasch (2011) Using a spherical microphone array to analyze stage acoustics (A), J. Acoust. Soc. Am. 129, 2534.

P.W. Robinson, J. Braasch, N. Xiang (2011) Understanding the perceptual effects of diffuser application in rooms (A), J. Acoust. Soc. Am. 129, 2502.

S. Clapp, A. Guthrie, J. Braasch, N. Xiang (2011) Explorations of room acoustics using a second‐order ambisonic microphone (A), J. Acoust. Soc. Am. 129, 2534.

D. Egloff, J. Braasch, P. Robinson, D. Van Nort, T. Krueger (2011) A vibrotactile music system based on sensory substitution (A), J. Acoust. Soc. Am. 129, 2582

A. Ostrowski, J. Escolano, N. Xiang, J. Braasch (2011) Experimental and numerical investigations on decay parameter distributions in coupled‐volume systems (A), J. Acoust. Soc. Am. 129, 2534.

N. Xiang, T. Jasa, J. Braasch (2010) Nested sampling for room-acoustics energy decay analysis (A), J. Acoust. Soc. Am. 127, 1998.

J. Braasch, D. Van Nort (2010) Instrumental analysis of extended saxophone techniques for live electronics (A), J. Acoust. Soc. Am. 127, 2010.

J. Braasch, J.T. Strong, N. Xiang (2010) A binaural model to evaluate surround sound reproduction systems using head movements (A), J. Acoust. Soc. Am. 128, 2362.

J. Braasch, J.T. Strong, N. Xiang (2010) A binaural localization model that resolves front-back confusions through head movements (A), J. Acoust. Soc. Am. 127, 1886.

T. Adams, J. Braasch (2010) Keep it quiet: Acoustic design and the High Line (A), J. Acoust. Soc. Am. 128, 2371.

T. Adams, J. Braasch (2010) Evaluating urban soundscape quality with sound recording and reproduction (A), J. Acoust. Soc. Am. 128, 2372.

N. Xiang, T. Jasa, J. Braasch (2010) Nested sampling for room-acoustics energy decay analysis(A), J. Acoust. Soc. Am. 127.

J. Braasch, J. Strong, N. Xiang (2010) A binaural localization model that resolves front-back confusions through head movements (A), J. Acoust. Soc. Am. 127.

J. Ellison, J. Braasch (2009) The effectiveness of multiple harmonics in eliciting the precedence effect in normal-hearing listeners, 157th Meeting of the Acoustical Society of America, Portland, Oregon, 18-22 May 2009.

J. Braasch (2009) Importance of visual cues in networked music performances, 157th Meeting of the Acoustical Society of America, Portland, Oregon, 18-22 May 2009.

D. Valente, J. Braasch (2009) Perceptual alignment of early-to-late-reverberant energy ratio and reverberation time to match visual environmental cues of a music performance (A), J. Acoust. Soc. Am. 125, 2483.

K. Stetson, J. Braasch (2009) Singers' preferences for acoustical characteristics of performing spaces (A), J. Acoust. Soc. Am. 125, 2586.

S. Myrbeck, D. Valente, J. Braasch, B. Gibbs (2009) The impact of visual cues on the perceived intimacy of an acoustic ecology (A), J. Acoust. Soc. Am. 125.

J. Ellison, J. Braasch (2009) The effectiveness of multiple harmonics in eliciting the precedence effect in normal-hearing listeners (A), J. Acoust. Soc. Am. 125, 2523.

J. Braasch (2009) Importance of visual cues in networked music performances, J. Acoust. Soc. Am. (A) 125, 2516.

C. Abercrombie, J. Braasch (2009) Influence of vibration on the perception of musical instruments for various stage constructions (A), J. Acoust. Soc. Am. 125, 2484.

L. Gedemer, J. Braasch (2008) Defining perceptual requirements of real-time acoustic auralizations (A), J. Acoust. Soc. Am. 124, 2464.

J. Braasch (2008) An automated calibration system for telematic music applications (A), J. Acoust. Soc. Am. 124, 2489.

J. Braasch (2008) Simulating the precedence effect by means of autocorrelation (A), J. Acoust. Soc. Am. 124, 2494.

C. Bahn, J. Braasch, D. Kouttron, K. McDonald,, P. Oliveros (2008) Haptic communication and colocated performance (A), J. Acoust. Soc. Am. 124, 2489.

D. Valente, J. Braasch (2008) Perceived plausibility of a multi-modal musical performance with introduced auditory-visual spatial and temporal mismatch (A), J. Acoust. Soc. Am. 123, 3719.

K. Stetson, J. Braasch (2008) Singers' preferences for acoustical characteristics of concert halls (A), J. Acoust. Soc. Am. 123, 3197.

A. Guthrie, J. Braasch (2008) Relevance of acoustic parameters for musician communication (A), J. Acoust. Soc. Am. 123, 3909.

B. Gibbs, J. Braasch, T. Krueger (2008) Converging evidence in evaluating acoustical intimacy (A), J. Acoust. Soc. Am. 123, 3770.

P. Calamia, J. Braasch (2008) Musical granite pillars in ancient Hindu temples (A), J. Acoust. Soc. Am. 123, 3604.

J. Braasch (2008) Modeling the Precedence Effect - how we arrived where we are today (A), J. Acoust. Soc. Am. 123, 3416.

C. Ahrens, J. Braasch, S. Schmidt (2008) Documenting the acoustics of the Silbermann pipe organ at the Catholic Cathedral in Dresden before and after the restoration of 2002 (A), J. Acoust. Soc. Am. 123, 3019.

E. Panzer, J. Braasch (2007) The acoustic intensity and directivity of the modern concert harp was investigated (A), J. Acoust. Soc. Am. 121, 3061.

B. Gibbs, J. Braasch, T. Krueger (2007) Interactive acoustical intimacy exploration (A), J. Acoust. Soc. Am. 121, 3094.

P. Calamia, J. Braasch (2007) Acoustical requirements for music in Non-Western worship spaces (A), J. Acoust. Soc. Am. 121, 3193.

D. Valente, J. Braasch (2006) Virtual microphone control: A comparison of measured to created impulse responses of various microphone techniques (A), J. Acoust. Soc. Am. 120, 3263.

D. Valente, J. Braasch (2006) A hybrid approach to rendering multichannel audio, using wave-field synthesis and stereophonic techniques, with virtual microphone control (A), J. Acoust. Soc. Am. 119, 3281.

H. Savitala, J. Braasch (2006) Influence of attack transient and decay times of percussive sounds on the echo threshold (A), J. Acoust. Soc. Am. 120, 3341.

N. Peters, J. Braasch, J. (2006) Determining the area of the sweet spot in a surround loudspeaker setup for various microphone techniques (A), J. Acoust. Soc. Am. 120, 3125.

B. Gibbs, J. Braasch, T. Krueger (2006) Intimacy in performance venues: Towards a socioecological methodology (A), J. Acoust. Soc. Am. 119, 3237.

B. Gibbs, J. Braasch, T., Krueger (2006) Alternatives to the traditional concert-hall experience (A), J. Acoust. Soc. Am. 120, 3149.

J. Braasch, W. Martens, W. Woszczyk (2006) Acoustic rendering of a virtual environment based on virtual microphone control and binaural room scanning (A), J. Acoust. Soc. Am. 120, 3095.

J. Braasch (2006) On the evolution of controllers for sound spatialization (A), J. Acoust. Soc. Am. 119, 3439.

B. Abels, J. Braasch (2006) Spectro-temporal analysis of Palauan chants (A), J. Acoust. Soc. Am. 120, 3028.

J. Braasch (2005) An alternative solution for positioning sound sources in loudspeaker-based virtual environments (A), J. Acoust. Soc. Am. 117, 2391.

J. Braasch, W.L. Martens, W. Woszczyk (2005) Modeling auditory localization in the low-frequency range (A), J. Acoust. Soc. Am. 117, 2391.

J. Braasch, T. D. Rossing (2004) A comparison of different expression devices in pipe organs (A), J. Acoust. Soc. Am. 116, 2514.

J. Braasch (2004) On the development of German beating-reed organ pipes during the 19th century (A)} J. Acoust. Soc. Am. 115, 2566.

J. Braasch, W. L. Martens, W. Woszczyk (2004) Low-cost coding of directivity information for the recording of music instruments (A), J. Acoust. Soc. Am. 115, 2450.

J. Braasch (2003) Investigating the precedence effect for noise bursts of different bandwidths (A), J. Acoust. Soc. Am. 113, 2269.

J. Braasch (2003) On the scaling of free-reed organ pipes: A comparison of 19th-century theories to modern non-linear models (A), J. Acoust. Soc. Am. 113, 2316.

J. Braasch (2002) Using a combined localization/detection model to simulate human localization performance near the masked detection threshold level (A), J. Acoust. Soc. Am. 111, 2467.

J. Braasch, C. Ahrens (2002) Does the European free reed really originate from Asia? (A), J. Acoust. Soc. Am. 111, 2376.

J. Braasch (2002) On Weber's theory of a free reed coupled to a resonator (A), J. Acoust. Soc. Am. 111, 2375.

J. Braasch, C. Ahrens (2000) The Klais Organ in Kyoto: A Comparison of the Acoustics of the Japanese Organ Stops to the Traditional Japanese Instruments (A), J. Acoust. Soc. Am. 108, 2552.

J. Braasch (2000) A Model to Simulate Human Sound Localization and Detection in Presence of a Distracter (A), J. Acoust. Soc. Am. 108, 2597.

K. Hartung, J. Braasch (1999) Localization of Distracted Speech and Noise in Reverberant and Anechoic Environments (A), Acustica/acta acustica 85, 223.

J. Braasch, K. Hartung (1999) Localization of Distracted Sound Sources: Determining the Role of Binaural Cues using Unilaterally Attenuated and Interaurally Uncorrelated Signals (A), Acustica/acta acustica 85, 225.

J. Braasch, C. Ahrens (1999) On the Perception of Free Reed Organ Pipes (A), J. Acoust. Soc. Am. 106, 2287.

J. Braasch, C. Ahrens (1999) Attack Transients of Free Reed Organ Pipes (A), in Acustica/acta acustica 85, S76.

C. Ahrens, J. Braasch (1999) The History of Free Reed Organ Stops (A), J. Acoust. Soc. Am. 106, 2288.


 Conference Articles

J. Braasch, J. Blauert (2011) Stimulus-dependent Adaption of Inhibitory Elements in Precedence Eect Models, Forum Acusticum 2011, Aalborg, Denmark

S. Bringsjord, J. Taylor, G. Milsap, S. Austin, J. Braasch, P. Oliveros, D. Van Nort, A. Rosenkrantz, K. Hayden (2011) Creativity and Conducting: Handle in the CAIRA Project, accepted poster paper at the 8th ACM Conference on Creativity and Cognition (C&C 2011).

J. Blauert, J. Braasch (2011) Binaural Signal Processing 2011, 17th International Conference on Digital Signal Processing (DSP2011), July 6-8, 2011, Corfu, Greece (IEEExplore digital library).

D. Van Nort, P. Oliveros, J. Braasch (2010) Developing Systems for Improvisation based on Listening, in Proc. of the 2010 International Computer Music Conference (ICMC 2010), New York, NY, June 1-5, 2010.

D. Van Nort, J. Braasch, P. Oliveros (2009) A system for musical improvisation combining sonic gesture recognition and genetic algorithms, in: Proceedings of the SMC 2009-6th Sound and Music Computing Conference, 23-25 July 2009, Porto, Portugal, 131-136.

J. Braasch (2008) Telematic Music - restrictions and aordances compared to traditional one-site music events, International Computer Music Conference (ICMC) 2008, 24-29 August 2008, Belfast, Northern Ireland.

N. Peters, T. Matthews, J. Braasch, S. McAdams (2008) ViMiC-A novel toolbox for spatial sound processing in Max/MSP, ICMC 2008, 24-29 August 2008, Belfast, Northern Ireland.

J. Braasch (2007) Cranial Transitions for soprano saxophone and electronic processing, Proc. 13th International Conference on Auditory Display (ICAD), Montreal, Canada, June 26-29, 2007.

M.T. Marshall, N. Peters, A.R. Jensenius, J. Boissinot, M.M. Wanderley, and J. Braasch (2006) On the Development of a System for Gesture Control of Spatialization, Proc. of the 2006 International Computer Music Conference (ICMC06), New Orleans, USA, 2006.

W.L. Martens, J. Braasch, T. Ryan (2005) On Spatial Auditory Display Using Multiple Subwoofers in Two Dierent Reverberant Reproduction Environments, Limerick, Ireland, Proc. 11th Meeting of the International Conference on Auditory Display (ICAD), July 6-9, 2005.

J. Braasch, W. Woszczyk (2005) A Tonmeister approach to the positioning of sound sources in a multichannel audio system, in: 2005 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA 05), Mohonk Mountain House, New Paltz, New York, October 16-19, 2005, 130-133..

J. Braasch (2003) On the acoustical quality of free-reed organ pipes, in: First ISCA Tutorial and Research Workshop on Auditory Quality of Systems, Akademie Mont-Cenis, Germany, 23-25 April 2003 (U. Jekosch, S. Möller eds.), ISBN 1680-8908, 109-116.

J. Braasch, J. Angster, A. Miklós (2001) The inuence of the shallot leather facing on the sound of lingual organ pipes, in: Proceeding of the International Symposium on Musical Acoustics (ISMA, D. Bonsi, D. Gonzalez, D. Stanzial eds.), September 10-14, Perugia, Italia, 325-328.

N.M. Leung, J. Braasch, R.H.Y. So (2001) Sound localization performance with head-related transfer functions (HRTFs) of dierent complexities, in: The 8th International Congress on Sound and Vibration, 2-6 July 2001, Hong Kong, 2475-2480.

K. Hartung, J. Braasch, S. Sterbing (1999) Comparison of Dierent Methods for the Interpolation of Head-Related Transfer Functions, AES 16th Int. Conf. on Spatial Sound Reproduction, 319-329.

J. Braasch, S. Bringsjord, C. Kuebler, P. Oliveros, A. Parks, D. Van Nort (2011) Caira - a Creative Articially-Intuitive and Reasoning Agent as conductor of telematic music improvisations, Proc. 131st Convention 2011, Oct. 20-23, New York, USA.

S.W. Clapp, A.E. Guthrie, J. Braasch, N. Xiang (2011) Investigations of Room Acoustics with a Spherical Microphone Array, Proc. 131st Convention 2011, Oct. 20-23 New York, USA.

A. Parks, J. Braasch (2011) The Eect of Head Movement on Perceived Listener Envelopment and Apparent Source Width, Proc. 131st Convention 2011, Oct. 20-23 New York, USA.

D. Van Nort, J. Braasch, P. Oliveros (2010) Sound texture analysis based on a dynamical systems model and empirical mode decomposition, in Proc. of the 129th Convention of the Audio Eng. Soc., San Francisco, CA, Paper Number 8251.

J. Braasch, J.T. Strong, N. Xiang (2010) A Binaural Model with Head Motion That Resolves Front-Back Confusions for Analysis of Room Impulse Responses, in proceedings of the 129th Convention of the Audio Engineering Society, San Francisco, Nov. 4-7, 2010, Paper Number 8279.

C.L. Abercrombie, J. Braasch (2010) Perceptual Dimensions of Stage-Floor Vibration Experienced During a Musical Performance, Proc. 129th Audio Engineering Society Convention, Preprint 8160.

S. Clapp, J. Braasch, A. Guthrie, N. Xiang (2010) Investigating Room Acoustics using Higher Order Ambisonics, Proc. 20th International Congress on Acoustics, Sydney Aug. 2010.

P. Robinson, N. Xiang, J. Braasch (2010) Optimal architectural congurations and acoustic parameters for multiple sources, Proc. 20th International Congress on Acoustics, Sydney Aug. 2010.

D. Valente, S. Myrbeck, J. Braasch (2009) Matching Perceived Auditory Width to the Visual Image of a Performing Ensemble in Contrasting Multi-Modal Environments, Proc. 127th Audio Engineering Society Convention, Preprint 7937.

J. Braasch, C. Chafe, P. Oliveros, D. Van Nort (2009) Mixing Console Design Considerations for Telematic Music Applications, Proc. 127th Audio Engineering Society Convention, Preprint 7942.

C. Abercrombie, J. Braasch (2009) A Method for Multimodal Auralization of Audio-Tactile Stimuli from Acoustic and Structural Measurements, Proc. 127th Audio Engineering Society Convention, Preprint 7867.

K. McDonald, D. Kouttron, C. Bahn, J. Braasch, P. Oliveros (2008) The Vibrobyte: A Haptic Interface for Co-Located Performance, New Interfaces for Musical Expression (NIME) Conference. Pittsburgh, June 4-6, 2009. 

N. Peters, B.L. Giordano, S. Kim, J. Braasch, S. McAdams (2008) Predicting perceived o-center sound degradation in surround loudspeaker setups for various multichannel microphone techniques, Proc. 125th Convention of the Audio Engineering Society, 2008, October 2-5 San Francisco, CA, USA (Paper presented Oct. 4, P13-3).

D.L. Valente, J. Braasch (2007) A model-based technique for the perceptual optimization of multi-modal musical performances, Proc. 127th Convention of the Audio Eng. Soc., October 5-8, 2007, New York, Preprint 7177.

N. Peters, S. McAdams, J. Braasch (2007) Evaluating O-Center Sound Degradation in Surround Loudspeaker Setups for Various Multichannel Microphone Techniques, Convention of the Audio Eng. Soc., October 5-8, 2007, Paper 7197.

J. Braasch, D. Valente, N. Peters (2007) Sharing Acoustic Spaces over Telepresence using Virtual Microphone Control, Convention of the Audio Eng. Soc., October 5-8, 2007, New York, Preprint 7209.

K. Gentner, J. Braasch, P. Calamia (2007) A Perforated Desk Surface to Diminish Coloration in Desktop Audio-Production Environments, Convention of the Audio Eng. Soc., October 5-8, 2007, New York, Preprint Paper 7199.

J. Braasch, H.V. Savitala, J. Blauert (2007) Modeling the precedence eect for percussive sounds with dierent attack transients, 19th International Congress on Acoustics, Sept. 2-7, 2007, Madrid, Spain, paper: PPA-05-001-IP (6 pages)

J. Braasch, N. Tranby (2007) A sound-source tracking device to track multiple talkers from microphone array,and lavalier microphone data, 19th International Congress on Acoustics, Sept. 2-7, 2007, Madrid, Spain, paper: ELE-03-009 (6 pages).

J. Blauert, J. Braasch, (2005) Acoustical communication: the Precedence Eect, Proc. Forum Acusticum Budapest 2005, HU-Budapest.

J. Braasch (2005) A binaural model to predict position and extension of spatial images created with standard sound recording techniques, 119th AES Convention, Oct. 7-10, 2005, New York, NY, USA, Preprint 6610.

J. Braasch, W. Woszczyk (2005) An immersive audio environment with source positioning based on virtual microphone control, 119th AES Convention, Oct. 7-10, 2005, New York, NY, USA, Preprint 6546.

J. Braasch (2005) A loudspeaker-based 3D sound projection using Virtual Microphone Control (ViMiC), Convention of the Audio Eng. Soc. 118, May 2005, Preprint 6430.

W.L. Martens, J. Braasch, W. Woszczyk (2004) Identication and discrimination of listener envelopment percepts associated with multiple low-frequency signals in multichannel sound reproduction, Convention of the Audio Eng. Soc. 117, October 2004, Preprint 6229.

J. Braasch, W.L. Martens, W. Woszczyk (2004) Modeling auditory localization of subwoofer signals in multichannel loudspeaker arrays, Convention of the Audio Eng. Soc. 117, October 2004, Preprint 6228.

W. Hess, J. Braasch, J. Blauert (2003) Acoustical evaluation of virtual rooms by means of binaural activity patterns, Proc. 115th Convention of the Audio Engineering Society in New York, October 10-13, 2003.

N.M. Leung, J. Braasch, R.H.Y. So (2002) Optimizing the cost and performance of non-individualized binaural cues for surround sound simulations, in: The proceedings of Forum Acusticum, 3rd EAA European Congress on acoustics, Sevilla, Spain, Sept. 16-20, 2002 (A. Calvo-Manzano, A. Perez-Lopez, J.S. Santiago eds.), CD-rom, ISBN: 84-87985-07-6, ELE-Gen-006.

J. Braasch, S. Schmidt (2002) Physical modeling of organ pipes with free reeds and striking reeds, in: The proceedings of Forum Acusticum, 3rd EAA European Congress on acoustics, Sevilla, Spain, Sept. 16-20, 2002 (A. Calvo-Manzano, A. Perez-Lopez, J.S. Santiago eds.), CD-rom, ISBN: 84-87985-07-6, MUS-06-011.

J. Braasch (2002) The role of interaural time and level differences when localizing noise in noise, in: The proceedings of Forum Acusticum, 3rd EAA European Congress on acoustics, Sevilla, Spain, Sept. 16-20, 2002 (A. Calvo-Manzano, A. Perez-Lopez, J.S. Santiago eds.), CD-rom, ISBN: 84-87985-07-6, PSY-02-005-IP.