publications
 Communication Acoustics and Aural Architecture Research Laboratory




          
2010 Braasch, J., Strong, J. and Xiang, N. (2010): A binaural localization model that resolves front-back confusions through head movements (A), J. Acoust. Soc. Am., 127, (submitted).

Xiang, N., Jasa, T. and Braasch, J. (2010): Nested sampling for room-acoustics energy decay analysis(A), J. Acoust. Soc. Am., 127, (submitted).



2009 Abercrombie, C. and Braasch, J. (2009): Influence of vibration on the perception of musical instruments for various stage constructions, J. Acoust. Soc. Am. (A), 125, pp. 2484 (2009).

C. Abercrombie, J. Braasch (2009) A Method for Multimodal Auralization of Audio-Tactile Stimuli from Acoustic and Structural Measurements, Proc. 127th Audio Engineering Society Convention, Preprint 7867.

J. Braasch (2009) The Telematic Apparatus - Seen from an Instrument Builder Perspective, In: P. Oliveros, S. Weaver, M. Dresser, J. Pitcher, J. Braasch and C. Chafe (2009) "Telematic Music: Six Perspectives," Online Supplement to Leonardo Music Journal 19 (2009), with Accompanying Sound Files, http://mitpressjournals.org/toc/lmj/-/19, pp. 22-27, abstracts printed in Journal, pp. 95-96.

J. Braasch (2009) The Telematic Music System: Affordances for a New Instrument to Shape the Music of Tomorrow, Contemporary Music Review, 28: 4, 421 - 432.

J. Braasch (2009): "Importance of visual cues in networked music performances", J. Acoust. Soc. Am. (A), 125, pp. 2516 (2009)

J. Braasch, C. Chafe, P. Oliveros, D. Van Nort (2009) Mixing Console Design Considerations for Telematic Music Applications, Proc. 127th Audio Engineering Society Convention, Preprint 7942.

Ellison, J. and Braasch, J. (2009): The effectiveness of multiple harmonics in eliciting the precedence effect in normal-hearing listeners, J. Acoust. Soc. Am. (A), 125.pp. 2523 (2009)

S. Myrbeck, D. Valente, J. Braasch and B. Gibbs (2009): The impact of visual cues on the perceived intimacy of an acoustic ecology, J. Acoust. Soc. Am. (A), 125.

Stetson, K. and Braasch, J. (2009): "Singers' preferences for acoustical characteristics of performing spaces", J. Acoust. Soc. Am. (A), 125, pp.2586 (2009)

Triple Point (2009) Sound Shadows (full digital album, six tracks), Jonas Braasch, soprano saxophone; Stuart Dempster, trombone, didjeridu, little instruments; Shane Myrbeck, mixing and mastering; Pauline Oliveros, digital accordion, Expanded Instrument System (EIS, Track 3); Doug Van Nort, laptop, GREIS, additional mixing and spectral processing on Tracks 4 and 6. Deep Listening Records, DL-DD-1

D. Valente, S. Myrbeck, J. Braasch (2009) Matching Perceived Auditory Width to the Visual Image of a Performing Ensemble in Contrasting Multi-Modal Environments, Proc. 127th Audio Engineering Society Convention, Preprint 7937.

Valente, D. and Braasch, J. (2009): "Perceptual alignment of early-to-late-reverberant energy ratio and reverberation time to match visual environmental cues of a music performance", J. Acoust. Soc. Am. (A), 125, 2483.



2008 Ahrens, J. Braasch, S. Schmidt (2008) Documenting the acoustics of the Silbermann pipe organ at the Catholic Cathedral in Dresden before and after the restoration of 2002, J. Acoust. Soc. Am. 123, 3019.

J. Blauert, J. Braasch (2007, in print). Räumliches Hören [Spatial Hearing] in: Taschenbuch der Audiotechnik [Handbook for Audio Engineering] (S. Weinzierl ed.), Springer Verlag, Berlin-Heidelberg-New York, 75–108.

J. Braasch (2008) Acoustical measurements of expression devices in pipe organs, J. Acoust. Soc. Am., 123, 1683-1693.

J. Braasch (2008) Modeling the Precedence Effect-how we arrived where we are today, J. Acoust. Soc. Am. 123, 3416.

J. Braasch (2008), Telematic Music - restrictions and affordances compared to traditional one-site music events, ICMC 2008, 24-29 August 2008, Belfast, Northern Ireland, 538-539.

A. Guthrie, J. Braasch (2008) Relevance of acoustic parameters for musician communication, J. Acoust. Soc. Am. 123, 3909.

N. Peters, T. Matthews, J. Braasch, S. McAdams (2008) ViMiC-A novel toolbox for spatial sound processing in Max/MSP, ICMC 2008, 24-29 August 2008, Belfast, Northern Ireland.

K. Stetson, J. Braasch (2008) Singers' preferences for acoustical characteristics of concert halls, J. Acoust. Soc. Am. 123, 3197.

D. Valente, J. Braasch (2008) Perceived plausibility of a multi-modal musical performance with introduced auditory-visual spatial and temporal mismatch, J. Acoust. Soc. Am. 123, 3719.



2007 J. Blauert, J. Braasch (2007, in print). Räumliches Hören [Spatial Hearing] in: Taschenbuch der Audiotechnik [Handbook for Audio Engineering] (S. Weinzierl ed.), Springer Verlag, Berlin-Heidelberg-New York, 75–108.

J. Braasch, Cranial Transitions for soprano saxophone and electronic processing, Proceedings of the 13th, International Conference on Auditory Display, Montreal, Canada, June 26–29, 2007.

J. Braasch, N. Tranby: A sound-source tracking device to track multiple talkers from microphone array,and lavalier microphone data, 19th International Congress on Acoustics, Sept. 2-7, 2007, Madrid, Spain, paper: ELE-03-009 (6 pages).

J. Braasch, H. V. Savitala, J. Blauert (2007) Modeling the precedence effect for percussive sounds with different attack transients, 19th International Congress on Acoustics, Sept. 2-7, 2007, Madrid, Spain, paper: ELE-03-009 (6 pages).

J. Braasch, D. Valente, N. Peters (2007) Sharing Acoustic Spaces over Telepresence using Virtual Microphone Control, Convention of the Audio Eng. Soc., October 5-8, 2007, New York (in print)

P. Calamia, J. Braasch (2007) Acoustical Requirements for Music in Non-Western Worship Spaces, J. Acoust. Soc. Am. 121, 2006, p. 3193.

K. Gentner, J. Braasch, P. Calamia (2007) A Perforated Desk Surface to Diminish Coloration in Desktop Audio-Production Environments, Convention of the Audio Eng. Soc., October 5-8, 2007, New York (in print)

E. Panzer, J. Braasch (2007) The acoustic intensity and directivity of the modern concert harp was investigated, J. Acoust. Soc. Am. 121, 2006, 3061.

N. Peters, S. McAdams, J. Braasch (2007) Evaluating Off-Center Sound Degradation in Surround Loudspeaker Setups for Various Multichannel Microphone Techniques, Convention of the Audio Eng. Soc., October 5-8, 2007 (in print)

D. L. Valente, J. Braasch (2007) A model-based technique for the perceptual optimization of multi-modal musical performances, Convention of the Audio Eng. Soc., October 5-8, 2007, New York

2006
 B. Abels, J. Braasch (2006) Spectro-temporal analysis of Palauan chants, J. Acoust. Soc. Am. 120, 3028.

C. Ahrens, S. Schmidt, J. Braasch (2006). Wie nah sind wir dem Klang von 1755? [How close are we to the sound of 1755?], RUBIN Wissenschaftsmagazin der Ruhr-Universität Bochum, 1/2006.

J. Braasch (2006) On the evolution of controllers for sound spatialization, J. Acoust. Soc. Am. 119, 3439.

J. Braasch (2006) Global reflections, audio compact disk, Deep Listening Publications DL 34-2006, Kingston, NY.

J Braasch, W. Martens, W. Woszczyk (2006) Acoustic rendering of a virtual environment based on virtual microphone control and binaural room scanning, J. Acoust. Soc. Am. 120, 3095.

J. Braasch (2006) Lokalisation und Detektion in Mehrschallquellensituationen [Localization and detection in Multiple-Sound-Source Scenarios]: 9. Jahrestagung der Deutschen Gesellschaft für Audiologie (DGA) [9th annual conference of the German Society for Audiology], Cologne, March 8–11, 2006 (7 pages).

J. Braasch, Synthese, Steuerung und Analyse von räumlich veränderlichen Klangfeldern in der Musik [Synthesis, control, and analysis of dynamic spatial sound fields in music], in: Fortschr. Akust. DAGA 2006, Deutsche Ges. Akust., D-Braunschweig, 9–16.

J. Braasch, Ein binaurales Modell zur Evaluierung von Stereoaufnahmetechniken [A binaural model to evaluate stereophonic recoding techniques], in: Fortschr. Akust. DAGA 2006, Deutsche Ges. Akust., D-Braunschweig, 93–94.

J. Braasch, Eine virtuelle Umgebung zur Simulation von mikrophonbasierten stereophonen Aufnahmeverfahren [A virtual environment for the simulation of microphone-based recording techniques], in: Fortschr. Akust. DAGA 2006, Deutsche Ges. Akust., D-Braunschweig, 705–706.

B. Gibbs, J. Braasch, T., Krueger (2006) Alternatives to the traditional concert-hall experience, J. Acoust. Soc. Am. 120, 3149.

B. Gibbs, J. Braasch, T. Krueger (2006) Intimacy in performance venues: Towards a socioecological methodology, J. Acoust. Soc. Am. 119, 2006, 3237.

M.T. Marshall, N. Peters, A.R. Jensenius, J. Boissinot, M.M. Wanderley, and J. Braasch. (2006) On the Development of a System for Gesture Control of Spatialization. Proc. of the 2006 International Computer Music Conference (ICMC06), New Orleans, USA, 2006.

N. Peters, J. Braasch, J. (2006) Determining the area of the sweet spot in a surround loudspeaker setup for various microphone techniques, J. Acoust. Soc. Am. 120, 3125.

H. Savitala, J. Braasch (2006) Influence of attack transient and decay times of percussive sounds on the echo threshold, J. Acoust. Soc. Am. 120, 3341.

M. Schönwiesner, J. Braasch, R.J. Zatorre (2006): Posterior Superior Temporal Sulcus Extracts Reverberation Cues

D. Valente, J. Braasch (2006) A hybrid approach to rendering multichannel audio, using wave-field synthesis and stereophonic techniques, with virtual microphone control, J. Acoust. Soc. Am. 119, 3281.

D. Valente, J. Braasch (2006) Virtual microphone control: A comparison of measured to created impulse responses of various microphone techniques, J. Acoust. Soc. Am. 120, 3263.
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